Imagine being one of the young American soldiers caught up in the Vietnam War. You would have had a Zippo lighter with you, an indispensable ‘tool’ and an unfailing companion. After buying it at a supply shop from the Army, you probably would have had it personalized by a local Vietnamese engraver, or maybe you would have bought one on the black market already decorated with an engraving popular amongst your brothers-in-arms.

Ivan Liechti collects pictures of engraved GI Zippos from the Vietnam War era. In this issue, he presents a collection of those artworks, redrawn and transferred onto paper in order to preserve their rather crude original appearance. The work represents a kind of modern day epigraphy.
On this small metal objects, one can discover a whole world of images, a direct insight into the mind of the soldiers thrown into battle, on average only 19 years old, as well as a reflection on a troubled period of war and socio-cultural shift in the history of the USA. The pictures, apart from countless images of naked girls, explicit sexual drawings or military insignia, show that you could also have chosen a design related to your civilian life, inspired by songs you were listening to or by comic books you were reading.
But in the end you might have decided simply to have your Zippo engraved with the terribly accurate:
‘WHEN I DIE I’LL KNOW I AM GOING TO HEAVEN CAUSE I SPENT MY TIME IN HELL’
120 pages
edited by
Philippe Desarzens
Project and drawings by
Ivan Liechti
Text by Sonic Boom

Temps d'arrêt - Etienne Buyse
Parataxes + CD - Michael Gendreau
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Alma Mater n°1
Eldorado maximum - Les commissaires anonymes
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
La prise - Florian Javet
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Instructional Photography: Learning How to Live Now - Carmen Winant
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
SKKS - Gilles Pourtier
Morph - Camilo García A.
MENU メニュー - Wataru Tominaga
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
L'inventaire des destructions - Éric Watier
Objets Minces - Collectif
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Gros Gris n°4 - Duel
Roven n°4
Dessins pour Rugir - Virginie Rochetti
The Shelf - Journal 3
Mission Control - Emir Karyo & Jan Wojda
Collective Design : Alison & Peter Smithson
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Collage - Laura McMorrow
Tomber dans l'escalier - Jasper Sebastian Stürup
Imagos - Noémie Lothe
Ilya Ehrenbourg - Et pourtant elle tourne
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Editer l’art – Leszek Brogowski
Optical Sound 3
Sillo n°3 - Le Fauve
In The Navy - Julien Kedryna
Le singe et le bijoux - Roxane Lumeret
Holy etc. - Fabienne Radi
Le corps travesti - Michel Journiac
Prototype 02 - morcellement
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Le Parfum du Silence - Bonnie Colin
Blaclywall by Sihab Baik - Claude Closky
Délié - Baptiste Oberson
Carnivore - Grow
Sans titre - Benjamin Hartmann
Seoul Flowers & Trees - tribute to Lee Friedlander
Hérésie Étiologique - coll.
Talweg 6 - La distance
Mökki n°4
Piano - Joseph Charroy
Promenade au pays de l'écriture - Armando Petrucci
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Bambi # 4 - Collectif
Critique & création - L.L. de Mars 



