Imagine being one of the young American soldiers caught up in the Vietnam War. You would have had a Zippo lighter with you, an indispensable ‘tool’ and an unfailing companion. After buying it at a supply shop from the Army, you probably would have had it personalized by a local Vietnamese engraver, or maybe you would have bought one on the black market already decorated with an engraving popular amongst your brothers-in-arms.

Ivan Liechti collects pictures of engraved GI Zippos from the Vietnam War era. In this issue, he presents a collection of those artworks, redrawn and transferred onto paper in order to preserve their rather crude original appearance. The work represents a kind of modern day epigraphy.
On this small metal objects, one can discover a whole world of images, a direct insight into the mind of the soldiers thrown into battle, on average only 19 years old, as well as a reflection on a troubled period of war and socio-cultural shift in the history of the USA. The pictures, apart from countless images of naked girls, explicit sexual drawings or military insignia, show that you could also have chosen a design related to your civilian life, inspired by songs you were listening to or by comic books you were reading.
But in the end you might have decided simply to have your Zippo engraved with the terribly accurate:
‘WHEN I DIE I’LL KNOW I AM GOING TO HEAVEN CAUSE I SPENT MY TIME IN HELL’
120 pages
edited by
Philippe Desarzens
Project and drawings by
Ivan Liechti
Text by Sonic Boom

Aurore Colbert - Marie Mons
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Grilles - Zelda Mauger
How to Become the Daughters of Darkness - Coll.
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Vanishing Workflows - Xavier Antin
Dans la Lune - Fanette Mellier
In The Navy - Julien Kedryna
akaBB - tribute to Roni horn
Deep state - Mathieu Desjardins
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Dédale - Laurent Chardon
La grande surface de réparation - Gilles Pourtier
Du Fennec au Sahara - Guillaume Pinard
Le Parfum du Silence - Bonnie Colin
Strates & Archipels - Pierre Merle
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
The Shelf - Journal 3
Theatre - Dan Graham
Mapping Bookbinding Poster- Simon Ruault
Inframince et hyperlié - Philippe Lipcare
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Critique & création - L.L. de Mars
Gros Gris n°4 - Duel
La typographie des Penguin Classics - Andrew Barker
Design sous artifice : la création au risque du machine learning - Anthony Masure
Gruppen n°14 - Collectif
Sous mes semelles - Anaïs Lapel, Gaspard Kasimir
Eldorado maximum - Les commissaires anonymes
Anémochorie - Antonin Detemple
Après la révolution – numéro 1
Burning Images, A History of Effigy Protests - Florian Göttke
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Ventoline 6 - Coll
Titties - Nour Hifaoui
Autodrône - Divine Vizion
Halfgrijs - Coll.
Les voiles de Sainte-Marthe - Christian Rosset
Three Dice - Aymeric Vergnon
Watch out - Anne-Émilie-Philippe
Tomber dans l'escalier - Jasper Sebastian Stürup
Der Erste Rotkehlchen - Le livre
Un essai sur la typographie - Eric Gill
L'inventaire des destructions - Éric Watier
ARTZINES #1, Paris issue
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
SKKS - Gilles Pourtier
Les dessins de Julien - Julien Marmar
Dix éditeurs de livres d'artistes par eux-mêmes (1960-1980) (2 volumes) - Anne Mœglin-Delcroix
Alma Mater n°1
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Entretiens – Jérôme Dupeyrat 



