Following on an eponymous exhibition of work by French artist Xavier Antin at Aloft at Hermès, Singapore, this independent collaboration between the publisher and artist features photographs taken by designer Gideon Kong during several visits to the exhibition. Touching on current themes such as the speculative market of decentralised digital currency and the traditional idea of speed associated with technology, Antin sets up a delicate opposition at the crossroads of technology and nature. In a dialogue between Kong and Antin, he explains how he imagined the exhibition as a kind of “slowing” space in the form of a garden; a type of nature reconstituted in a closed artificial space.
48 pages.


The Letter A looks like The Eiffel Tower - Paul Andali
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Pénurie - Zivo, Jérôme Meizoz
De tels baisers - Jul Gordon
Gruppen n°14 - Collectif
Les voiles de Sainte-Marthe - Christian Rosset
Keywording (Post) Contemporary Art - Greta Rusttt
SKKS - Gilles Pourtier
Rasclose - Geoffroy Mathieu
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Changer l'art par ses marges ? - Charlotte Laubard
Eldorado maximum - Les commissaires anonymes
Mökki n°2
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Vandalisme Queer - Sara Ahmed
Entretiens – Jérôme Dupeyrat
Papier magazine n°06 - Coupe du monde
ICCMHW - Atelier Choque Le Goff
People in a faraday cage - Stéphanie Gygax
Citrus maxima xparadisi - coll.
Alma Mater n°1
Artzines #12 Provo Special
Lili, la rozell et le marimba / revue n°2
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
A l'origine - Anne-Émilie-Philippe
Critique d'art n°56
Polygone n°01 - Amour - Collectif
Poèmes - Yvonne Rainer
ARTZINES #1, Paris issue
L'inventaire des destructions - Éric Watier
Dédale - Laurent Chardon 







