124 pages
black and white offset
smythsewn

The Sol LeWitt of comics delivers sublime beauty of abstract art as never before in a graphic novel.
Nothing stretches or bends, there is no movement, no animation, no life in static images. But by looking at these pared-down and simple pictures in sequence, you catch glimpses that would indicate otherwise—and that indication is magical. Before your eyes, these abstract simple lines, geometric shapes, and grids come to life. Vanishing Perspective is a comic book in which the reader is light itself.
Alexis Beauclair lives in France. His acclaimed illustrations and comics have been featured in the New York Times, Pitchfork Review, and Real Life.
Where did this man come from? […] lines so delicate they’re like hairs that have dropped onto a scanner from above. Who knew making a series of pictures in navy triangles and circles could be so beautiful? — It’s Nice That
We often expect comics to tell us the stories of adventures. Alexis Beauclair does precisely this and nothing else, but his work extends, synthesizes, crystallizes, refines and intensifies this tradition. « Action » is the watchword of his narratives, which follow the path of looking and the stages of perception to reconstitute the movement of an intelligence. Alexis Beauclair’s comics tell us the story of the adventure of drawing. And (almost) nothing else. — Laurent Bruel, Editions Matière
Alexis Beauclair’s minimalism makes generous play of the act of reading comics. Recalling the lively abstract animation of Viking Eggeling, Oskar Fischinger, and Al Jarnow, Beauclair’s formalism is intellectual but never academic. His precise, linear images reveal themselves to be shaded with humor and humanity in their juxtaposition and arrangement. — Bill Kartalopoulos, Series Editor for the #1 New York Times best selling Best American Comics series

Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Le Patou, la pomme et son jus - Robin Garnier-Wenisch
Delete Instagram - Brad Phillips
Rocher du Ciel - Martin Desinde
Démontage - Fred Fivaz
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Kriss Kross 2019 - Genêt Mayor
Isaiah Zagar . off zine 1
Lisa Zordan . one-shot the end
In The Navy - Julien Kedryna
BEAUTY MEE EYE - Luc Natral
Saint Julien l'hospitalier Tome 1 - Claire Pedot
fig. #6 - antithèse
Mökki n°4
Critique d'art n°56
Manhoru - Thomas Couderc - Studio Helmo
Fiscal Cliff - Erlend Peder Kvam
Échos - François Godin
Idoine & Nayoung Kim
akaBB - tribute to Roni horn
Forsythia, Lilac and Geranium - Raffaella della Olga, Camila Oliveira Fairclough, Elsa Werth
Asphalte Parade - Alice Meteignier
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Black Case Volume I and II: Return From Exile - Joseph Jarman
Good Company - Paul Van der Eerden
Holy Mountain - Maia Matches, Knuckles & Notch
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Modern Instances, The Craft of Photography - Stephen Shore
Instructional Photography: Learning How to Live Now - Carmen Winant
La Bascule – 15 jours ressentis 100 ans - Jean Chauvelot & Aymeric Swiatoka-Novais
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
La traversée - Magali Brueder
Le Gabion - Théo Robine-Langlois
Lausanne - Ronan Bouroullec
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Dark optics - David Claerbout
Oraison funèbre pour Zelda1990 - Romane Constant
Artzines #12 Provo Special
Groove, Bang and Jive Around - Steve Cannon
The Book Fight - Chihoi
A l'origine - Anne-Émilie-Philippe
Spécimen Typographique : No Ko - Loris Pernoux
Aurore Colbert - Marie Mons
Theatre - Dan Graham
Smile ! - Julien Quentel
Un cheval, des silex - Benoît Maire, Sally Bonn
Détours - Vincent Chappuis 













