Nhu Xuan Hua delved into the power of memories in a piece of work titled “Tropism, Consequences of a Displaced Memory.”The work gives a face to those tropisms that describe spontaneous and automatic reactions initiated by vivid emotions in response to primarily needs or past events in life. Based on archival pictures from her family, the digital intervention interprets these memories through a new angle, exploring the effect of dissipation generated by time passing and driven by the forces of an inherited memory.

This study is an invitation for a treasure hunt on paper, where the images map a route connecting past and present. Places and people merge: he, she, they, here, there become one after having been separate for so long. In this imaginary bi-dimensional city, the elements from the photographs lose themselves and disappear, leaving behind them the mere and haunting presence of nostalgia.

Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Holy Mountain - Païen
☀ - Manon Demarles
Gros Gris n°4 - Duel
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Femme, Arabe et... Cinéaste - Heiny Srour
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Klima Pages #2 — Somptueuses Résidences
La traversée - Magali Brueder
Le laboratoire de fermentation - Ludovic Burel
Grilles - Zelda Mauger
Seoul Flowers & Trees - tribute to Lee Friedlander
Village - Julie Safirstein
Matriochka - Fanette Mellier (3ème ed.)
Aristide n°4
Inventer l'école, penser la co-création - Marie Preston
Ludmilla Cerveny - Work
In The Navy - Julien Kedryna
Holy Mountain - Maia Matches, Knuckles & Notch
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Critique d'art n°56
Before Science - Gilles Pourtier, Anne-Claire Broc'h
À partir de n°1 - Coll.
Mökki n°2
Critique d'art n°54
Pectus Excavatum - Quentin Yvelin 

























