Nhu Xuan Hua delved into the power of memories in a piece of work titled “Tropism, Consequences of a Displaced Memory.”The work gives a face to those tropisms that describe spontaneous and automatic reactions initiated by vivid emotions in response to primarily needs or past events in life. Based on archival pictures from her family, the digital intervention interprets these memories through a new angle, exploring the effect of dissipation generated by time passing and driven by the forces of an inherited memory.

This study is an invitation for a treasure hunt on paper, where the images map a route connecting past and present. Places and people merge: he, she, they, here, there become one after having been separate for so long. In this imaginary bi-dimensional city, the elements from the photographs lose themselves and disappear, leaving behind them the mere and haunting presence of nostalgia.

š! #39 'The End' - coll.
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Le dos des choses - Guillaume Goutal
Le chateau enchanté - Atelier Mclane
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Vacuité 9090 - Jérémy Piningre
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Cuadernos - Henry Deletra
Pénurie - Zivo, Jérôme Meizoz
9 octobre 1977 - Roberto Varlez
La traversée - Magali Brueder
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Un cheval, des silex - Benoît Maire, Sally Bonn
Rasclose - Geoffroy Mathieu
Aurore Colbert - Marie Mons
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
De lave et de fer - Laurent Feynerou
Après la révolution – numéro 1
La Typographie Moderne - Robin Kinross
Saveurs imprévues et secrètes - Gilbert Lascault
Optical Sound 3
本の本の本 - antoine lefebvre editions,
Prose postérieure - Les commissaires anonymes
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Dear Paul - Paul Van der Eerden
Un peu comme voir dans la nuit - Leif Elggren + CD
Tchat - Gary Colin
La prise - Florian Javet 

























