A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Optical Sound 3
L'inventaire des destructions - Éric Watier
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Papier magazine n°06 - Coupe du monde
akaBB - tribute to Roni horn
Saveurs imprévues et secrètes - Gilbert Lascault
Gros Gris n°4 - Duel
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Science of the secondary #11 - Banana
Délié - Baptiste Oberson
Slanted 30 - Athens
Prose postérieure - Les commissaires anonymes
Piano - Joseph Charroy
Sillo n°3 - Le Fauve
Aristide n°4
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Alma Mater n°1
Zoom Age - Julien Auregan
Jean-Jacques a dit - Angèle Douche
Editer l’art – Leszek Brogowski
Dans la Lune - Fanette Mellier
Inframince et hyperlié - Philippe Lipcare
Radio-Art - Tetsuo Kogawa
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Roven n°4
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
movement in squares - Stefanie Leinhos
Le laboratoire de fermentation - Ludovic Burel
Deep state - Mathieu Desjardins
Salt Crystal - Fabio Parizzi 







































