The images of ‘tempête après tempête’ were shot during Rebekka Deubners second journey to Fukushima-ken, in the summer of 2019. On 03.11.2011 a part of the north-east-coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant.
Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. ‘tempête après tempête’ portrays Fukushima through close-ups of inhabitants, scattered pieces of land, details of sea landscapes, moving elements of nature such as insects, humans, seaweed, pieces of bodies,… they all merge into a new and hybrid body.
For Deubner taking close-ups is a way of working that is essential to her practice. Looking at things from a near perspective, gives her the opportunity to feel their materiality and texture directly through her eyes. It is as if the lens of the camera is an extension of her touch. It also allows her and her subjects to experience a form of contemplation. Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole.
104 pages.


Editer l’art – Leszek Brogowski
Après la révolution – numéro 1
SKKS - Gilles Pourtier
Carnivore - Grow
Un essai sur la typographie - Eric Gill
Les soleils qui tournent ont des oreilles - coll.
A Compilation Of Contemporary Letter Designs
An artist - Malena Pizani
Tanière de lune - Maria-Mercé Marçal
Débris N°2 - Théo Garnier Greuez
L'inventaire des destructions - Éric Watier
Temps d'arrêt - Etienne Buyse
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
In The Navy - Julien Kedryna
Crise de foie - Christine Demias
Dear Paul - Paul Van der Eerden
La mémoire en acte - Quarente ans de création musicale
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Vanishing Workflows - Xavier Antin
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Imagos - Noémie Lothe
Photographic Fields - Joël Van Audenhaege 









