Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
In The Navy - Julien Kedryna
Watch out - Anne-Émilie-Philippe
Critique d'art n°55
Imagos - Noémie Lothe
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Good Company - Paul Van der Eerden
Le corps travesti - Michel Journiac
9 octobre 1977 - Roberto Varlez
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Tools #04 – Couper / To Cut
La prise - Florian Javet
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Temps d'arrêt - Etienne Buyse
本の本の本 - antoine lefebvre editions,
Der Erste Rotkehlchen - Le livre
Roven n°5
Keywording (Post) Contemporary Art - Greta Rusttt
Florina Leinß - Ersatzteillager
Turbo Decompress - Coll.
Gros Gris n°4 - Duel 





