Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Mökki n°4
Aurore Colbert - Marie Mons
Forsythia, Lilac and Geranium - Raffaella della Olga, Camila Oliveira Fairclough, Elsa Werth
Fluent - Laëticia Donval
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
America - Ayline Olukman, Hélène Gaudy
Keywording (Post) Contemporary Art - Greta Rusttt
Migrant Mother, Migrant Gender - Sally Stein
Temps d'arrêt - Etienne Buyse
Titanic Orchestra - Julien Mauve
Rendezvous - Eléonore Pano-Zavaroni
Florina Leinß - Ersatzteillager
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Les Grands Ensembles - Léo Guy-Denarcy
De lave et de fer - Laurent Feynerou
Image Canoë - Jérémie Gindre
UP8 — Pour une pédagogie de l'architecture
La traversée - Magali Brueder 





