Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

9 octobre 1977 - Roberto Varlez
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Burning Images, A History of Effigy Protests - Florian Göttke
Après la révolution – numéro 1
AARC – Alter Architecture Research Collective n° 01
Sillo n°3 - Le Fauve
interférence - 2 - maycec
Hérésie Étiologique - coll.
Radio-Art - Tetsuo Kogawa
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
MegaOctet Verbateam
Inflamed Invisible - David Toop
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Photographic Fields - Joël Van Audenhaege 





