Foreword by Sheila Rowbotham
Founded in 1974, See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change.

Written by See Red members, detailing the group’s history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation — and have continued relevance for today.
Paperback, 184 pages, 31 × 22 cm
Designer: Clare Mason

Le chateau enchanté - Atelier Mclane
Le corps travesti - Michel Journiac
It was a good day - Jeremy Le Corvaisier
Un essai sur la typographie - Eric Gill
Seoul Flowers & Trees - tribute to Lee Friedlander
Carnivore - Grow
9 octobre 1977 - Roberto Varlez
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Mökki n°4
Musée des Beaux-Arts - Pierre Martel
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Inframince et hyperlié - Philippe Lipcare
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
De tels baisers - Jul Gordon
Rasclose - Geoffroy Mathieu
Ventoline 5 - Coll.
Fluent - Laëticia Donval
Illusive prosody - Alex Beaurain
Shanghai Cosmetic - Leslie Moquin
Bambi # 4 - Collectif
La traversée - Magali Brueder
Imagos - Noémie Lothe
Entretiens – Jérôme Dupeyrat
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Citrus maxima xparadisi - coll.
Artzines #12 Provo Special
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel 











