As you see on the front cover of this issue, one can easily grow one’s own salt crystal at home, using a glass of salted water and a string attached to a pencil. Within few days the evaporation of water induces a shifting of matter from the water to the string as the less energetic way for sodium chloride to reorganise itself.

After discovering the principle of natural salt crystallisation near Salzburg were miners used to offer to tourists dry branches
covered with a shining deposit of crystals, French writer Stendhal in his essay ‘On Love’ (1822) used it as a metaphor to describe the ‘birth of love’ in human relationships.
According to Stendhal, the mental process when one sees flattering illusions in a new love, hiding the unattractive characteristics of this person, is quite similar to the sparkly diamonds covering a leafless piece of wood after the natural crystallisation of the salt.
Exploring the same phenomenon, Fabio Parizzi intended in this book to describe this chemical reaction with 50 sketches.
This visual attempt to understand the basic structure of matter in space and its physical behaviour embracies the fascination of mankind for the primary form of solid structure first described by Plato more than 2.300 years ago.
SALT CRYSTAL
Edited by
Philippe Desarzens
Crystal drawings and tattooed arm
Fabio Parizzi
148,5 / 204 mm, 53 pages
Xerox printed
Book edges printed in black

Retour d'y voir - n° 3 & 4 - Mamco
Sans titre - Benjamin Hartmann
Der Erste Rotkehlchen - Le livre
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Guten Tag - Pablo Tomek
Hideous - Thomas Perrodin, Néoine Pifer
Strates & Archipels - Pierre Merle
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Marcel Proust en cinq minutes — Jackson B. Smith
Morph - Camilo García A.
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Salt Crystal - Fabio Parizzi
Aristide n°4
Ludmilla Cerveny - Work
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Tomber dans l'escalier - Jasper Sebastian Stürup
Grilles - Zelda Mauger
À partir de n°1 - Coll.
Good Company - Paul Van der Eerden
Le chateau enchanté - Atelier Mclane
Photographic Fields - Joël Van Audenhaege
Shanghai Cosmetic - Leslie Moquin
Imagos - Noémie Lothe
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Le blanc nez - Fouss Daniel
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Tchat - Gary Colin
Dernier royaume - Quentin Derouet
Lavalse des tambours - Paul Rey
Piano - Joseph Charroy
Wayfaring - Patrick Messina, André S. Labarthe
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Zoom Age - Julien Auregan
Les Mains sales - Collectif
Revue Les Saisons n°3
Dédale - Laurent Chardon
Le corps travesti - Michel Journiac
La prise - Florian Javet
Flynn zine # 1 - Flynn Maria Bergmann
Bambi # 4 - Collectif
Mökki n°4
La Typographie Moderne - Robin Kinross
A l'origine - Anne-Émilie-Philippe
Sights - Henry McCausland
Mökki n°2
Editer l’art – Leszek Brogowski
Éclats III - Athanor
Planning - Pierre Escot
RISO Le Loup de Hobbes - Philonimo 9 - Herbéra
SKKS - Gilles Pourtier
Super Kiblind 3
Du Fennec au Sahara - Guillaume Pinard
interférence - 2 - maycec
Catalogue Art Guys - That's painting productions, Bernard Brunon
Eldorado maximum - Les commissaires anonymes
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Recto Versu - Bill Noir
Design sous artifice : la création au risque du machine learning - Anthony Masure
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Un cahier - Michel Quarez
Roven n°4
Dictionary - Claude Closky 



