
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
America - Ayline Olukman, Hélène Gaudy
Les Grands Ensembles - Léo Guy-Denarcy
Catalogue Art Guys - That's painting productions, Bernard Brunon
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Grilles - Zelda Mauger
Optical Sound 2
Shanghai Cosmetic - Leslie Moquin
Génération dakou - Yann Jun + CD
Aurore Colbert - Marie Mons
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
La prise - Florian Javet
Un essai sur la typographie - Eric Gill
Karbone Magazine n°8 - Parasite
La traversée - Magali Brueder
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Retour d'y voir - n° 1 & 2 - Mamco
Tools #04 – Couper / To Cut
Dans la Lune - Fanette Mellier
Bambi # 4 - Collectif
Papier magazine n°06 - Coupe du monde
Aristide n°4
Dear Paul - Paul Van der Eerden
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Pénurie - Zivo, Jérôme Meizoz
Délié - Baptiste Oberson
Sans titre - Benjamin Hartmann
La mémoire en acte - Quarente ans de création musicale
Good Company - Paul Van der Eerden
16 x 421 - Lorraine Druon 







