
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Trous gris - Michel Vachey
Eldorado maximum - Les commissaires anonymes
Délié - Baptiste Oberson
Aujourd'hui est le jour où tu rejoins tes semblables - Marion Balac
Umami - Ariane Vonmoos
Hideous - Thomas Perrodin, Néoine Pifer
Slanted 30 - Athens
Aristide n°4
Saint-Julien l'hospitalier Tome 4 - Claire Pedot
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Mökki n°4
Boundary - Nigel Peake
Mercometal
akaBB - tribute to Roni horn
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
From red to red - Jean-Pierre Bertrand, Patrick Javault
Good Company - Paul Van der Eerden
Critique d'art n°54
Morph - Camilo García A.
AARC – Alter Architecture Research Collective n° 01
(page 1 et 17) - Lorraine Druon 







