
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Saint Julien l'hospitalier Tome 1 - Claire Pedot
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Le vieux père - Laurent Kropf
Florina Leinß - Ersatzteillager
Rasclose - Geoffroy Mathieu
Sillo n°3 - Le Fauve
Étrangement seuls - Jean-Pascal Princiaux
Betty Tompkins - Raw Material
Working men have no country - Coll.
9 octobre 1977 - Roberto Varlez
Sur la page, abandonnés — vol.3
Do insects play ? - Johanna Tagada Hoffbeck
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Dernier royaume - Quentin Derouet
Flower finds - Orianne Jeanselme 







