Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Shanghai Cosmetic - Leslie Moquin
Mosaïque d'asphalte - Jack Torrance
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Entretiens – Jérôme Dupeyrat
Strates & Archipels - Pierre Merle
The Letter A looks like The Eiffel Tower - Paul Andali
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Mökki n°4
Inframince et hyperlié - Philippe Lipcare
Lavalse des tambours - Paul Rey
Un essai sur la typographie - Eric Gill
il y avait une ville - Laeticia L'Heureux
Instructional Photography: Learning How to Live Now - Carmen Winant
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Rasclose - Geoffroy Mathieu
America - Ayline Olukman, Hélène Gaudy
Titanic Orchestra - Julien Mauve
Der Erste Rotkehlchen - Le livre
Holy Mountain - Maia Matches, Knuckles & Notch
Le dernier homme - Johann Rivat
Pectus Excavatum - Quentin Yvelin
Artzines # 10 - Show & Tell #2 NY Special
Imagos - Noémie Lothe 























