Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Aurore Colbert - Marie Mons
MENU メニュー - Wataru Tominaga
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Piano - Joseph Charroy
Gruppen n°14 - Collectif
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Atopoz - Collectif
Talweg 6 - La distance
Papier magazine n°06 - Coupe du monde
Étrangement seuls - Jean-Pascal Princiaux
Titanic Orchestra - Julien Mauve
La prise - Florian Javet
Roven n°4
Aristide n°4
Le singe et le bijoux - Roxane Lumeret
interférence - 2 - maycec
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Brush Master - Jasper "Mississippi" Travis
Bacon le Cannibale - Perrine Le Querrec
The Letter A looks like The Eiffel Tower - Paul Andali
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Dédale - Laurent Chardon 























