Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Photographic Fields - Joël Van Audenhaege
Sillo n°3 - Le Fauve
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
akaBB - tribute to Roni horn
Dear Paul - Paul Van der Eerden
Machiavel chez les babouins - Tim Ingold
Le singe et le bijoux - Roxane Lumeret
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
interférence - 2 - maycec
Un cheval, des silex - Benoît Maire, Sally Bonn
Optical Sound 3
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
In The Navy - Julien Kedryna 























