Koji Kitagawa has been a member of the SPEW collective with Daisuke Yokota et Naohiro Utagawa, an experience he describes as « being in a car launched at full speed ». Since 15 years, Koji Kitagawa, on his own, has been producing series that he distributes in the form of simple, plain editions. This book is an anthology compiling his obsessive series one after the other.

Koji’s words: « In creating, I get a lot from the process itself. If the image is complete before I’ve fully worked on it, it doesn’t hold much meaning for me. I’m always advancing several projects little by little, I want to remove my intent from the work as much as possible; ambiguity is an essential component. I think photography is imagination. »
Nicolas Giraud said : « These plentiful, dense sequences bear witness to an perpetually renewed process, tirelessly recapturing what is in front of his eyes, trying to make his way through what is visible. Kitagawa does not grant us access to the world, he confronts us with its opacity, in hopes of seeing in every way possible, at the risk of dissolving the image… Bringing together this work in a single volume makes it possible to traverse this obsessive exploration of the visible, to grasp the movement driving Koji Kitagawa. The book reveals the scope of his ambition, the way in which he grows attached to poor objects yet brings them to incandescence. A face, a newspaper page, a plant, constitute object-worlds that the photographer explores to the fullest. »
ISBN 9782493509000

Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Catalogue Art Guys - That's painting productions, Bernard Brunon
Le vieux père - Laurent Kropf
Pénurie - Zivo, Jérôme Meizoz
Blaclywall by Sihab Baik - Claude Closky
Un peu comme voir dans la nuit - Leif Elggren + CD
Critique d'art n°56
Schindler Manifesto
Délié - Baptiste Oberson
Graphzine Visages
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Anderlecht — Molenbeek - Pierre Blondel
Gruppen n°13 - Collectif
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
L'inventaire des destructions - Éric Watier
Piano - Joseph Charroy
Florina Leinß - Ersatzteillager
Le chateau enchanté - Atelier Mclane
La construction - Perrine Le Querrec
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Un essai sur la typographie - Eric Gill
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
Anémochorie - Antonin Detemple
Lisa Zordan . one-shot the end
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Optical Sound 3
Strates & Archipels - Pierre Merle
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
L'arum tacheté de J-M. Bertoyas
Aristide n°4
It was a good day - Jeremy Le Corvaisier
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Ice & Cream - Florence Grivel, Julien Burri
Gros Gris n°4 - Duel
Deep state - Mathieu Desjardins
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Saveurs imprévues et secrètes - Gilbert Lascault
Illusive prosody - Alex Beaurain
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Crise de foie - Christine Demias
Brush Master - Jasper "Mississippi" Travis
Artzines #12 Provo Special
La traversée - Magali Brueder
Distant Egghug - Peter McDonald
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Salt Crystal - Fabio Parizzi
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Darkest Night - Joel Van Audenhaege
Instructional Photography: Learning How to Live Now - Carmen Winant
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri 





























