People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Les voiles de Sainte-Marthe - Christian Rosset
Aurore Colbert - Marie Mons
Lucky Me - Eva Rotreklová & Jules Janssen
Le corps travesti - Michel Journiac
Norovirus - Orgie en mers chaudes - Claude Grétillat
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Un peu comme voir dans la nuit - Leif Elggren + CD
Un cahier - Michel Quarez
Le singe et le bijoux - Roxane Lumeret
Débris #3 - Tout e(s)t n'importe quoi !
Saint Julien l'hospitalier Tome 3 - Claire Pedot
La traversée - Magali Brueder
Grilles - Zelda Mauger
Sans titre - Chris Kiss
Sans titre - Benjamin Hartmann
Paysageur n°3 - Mobiles
À partir de n°1 - Coll.
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Hérésie Étiologique - coll.
Cuadernos - Henry Deletra
Le 6b Saint-Denis, dans un tiers-lieu culturel
Good Company - Paul Van der Eerden
Optical Sound 2
Inframince et hyperlié - Philippe Lipcare
Dessins pour Rugir - Virginie Rochetti
Eros negro n°4 - Démoniak
Polyphème (d'après Euripide) - J. & E. LeGlatin
Wayfaring - Patrick Messina, André S. Labarthe
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Titanic Orchestra - Julien Mauve
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
akaBB - tribute to Roni horn
Imagos - Noémie Lothe
Modern Instances, The Craft of Photography - Stephen Shore
CURIOSITY — David Lynch
Photographic Fields - Joël Van Audenhaege
Le chateau enchanté - Atelier Mclane
In The Navy - Julien Kedryna
Le dos des choses - Guillaume Goutal
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Salt Crystal - Fabio Parizzi
Pectus Excavatum - Quentin Yvelin
Un essai sur la typographie - Eric Gill
Citrus maxima xparadisi - coll.
It was a good day - Jeremy Le Corvaisier
Der Erste Rotkehlchen - Le livre
Critique d'art n°56
Morph - Camilo García A.
Burning Images, A History of Effigy Protests - Florian Göttke
Retour d'y voir - n° 1 & 2 - Mamco
Seoul Flowers & Trees - tribute to Lee Friedlander
Sights - Henry McCausland
Roven n°5
SKKS - Gilles Pourtier
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Optical Sound 3
Ilya Ehrenbourg - Et pourtant elle tourne
Illusive prosody - Alex Beaurain
Je ne peux pas ne pas - Geneviève Romang
Blanche Endive - Grégoire Motte & Gabriel Mattei
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier 











































