People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Bacon le Cannibale - Perrine Le Querrec
Email Diamant - Fabienne Radi
Le blanc nez - Fouss Daniel
the Ghost of Weaving - Coll.
Fluent - Laëticia Donval
Eros negro #2 - Demoniak
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
On the Soft Edge of Space - Marleen Sleeuwits
S ! Imperfect shapes, #38 - Baltic Comics Magazine
Le vieux père - Laurent Kropf
Birds - Damien Poulain
Illusive prosody - Alex Beaurain
Lili, la rozell et le marimba / revue n°2
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
A Home with no Roof - Sara De Brito Faustino
Imagos - Noémie Lothe
Critique & création - L.L. de Mars
Wayfaring - Patrick Messina, André S. Labarthe
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Gone - Pierre La Police
Shanghai Cosmetic - Leslie Moquin
Christina Forrer - Don’t Swallow Your Tongue
La traversée - Magali Brueder
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
In The Navy - Julien Kedryna
Avec ce qu'il resterait à dire - Anne Maurel
Darkest Night - Joel Van Audenhaege
Le déclin du professeur de tennis - Fabienne Radi
Temps d'arrêt - Etienne Buyse
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Un essai sur la typographie - Eric Gill
Der Erste Rotkehlchen - Le livre 











































