People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Strates & Archipels - Pierre Merle
Dessins pour Rugir - Virginie Rochetti
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Tchat - Gary Colin
À partir de n°4 - Collectif
Le blanc nez - Fouss Daniel
Critique d'art n°55
La traversée - Magali Brueder
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Image Canoë - Jérémie Gindre
Burning Images, A History of Effigy Protests - Florian Göttke
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Dédale - Laurent Chardon
Lili, la rozell et le marimba / revue n°2
Talweg 6 - La distance
Polyphème (d'après Euripide) - J. & E. LeGlatin
Je ne peux pas ne pas - Geneviève Romang
À partir de n°1 - Coll.
Dernier royaume - Quentin Derouet
Véhicule N°7 - Collectif
De lave et de fer - Laurent Feynerou
Planning - Pierre Escot
Entretiens – Jérôme Dupeyrat
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Le dos des choses - Guillaume Goutal
ARTZINES #1, Paris issue
Sur la page, abandonnés — vol.3
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le Gabion - Théo Robine-Langlois
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Artzines #12 Provo Special
Vacuité 9090 - Jérémy Piningre
America - Ayline Olukman, Hélène Gaudy
Titanic Orchestra - Julien Mauve
Temps d'arrêt - Etienne Buyse
Radio-Art - Tetsuo Kogawa
Der Erste Rotkehlchen - Le livre 











































