People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Le Choix du peuple - Nicolas Savary, Tilo Steireif
Dernier royaume - Quentin Derouet
De tels baisers - Jul Gordon
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Marcel Proust en cinq minutes — Jackson B. Smith
Le blanc nez - Fouss Daniel
Avec ce qu'il resterait à dire - Anne Maurel
SKKS - Gilles Pourtier
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Le vieux père - Laurent Kropf
Le Monde en situation - Vanessa Theodoropoulou
Strates & Archipels - Pierre Merle
Le Gabion - Théo Robine-Langlois
Débris N°2 - Théo Garnier Greuez
Entretiens – Jérôme Dupeyrat
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Editer l’art – Leszek Brogowski
Machiavel chez les babouins - Tim Ingold
It was a good day - Jeremy Le Corvaisier
In The Navy - Julien Kedryna
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le chateau enchanté - Atelier Mclane
Aurore Colbert - Marie Mons
Salt Crystal - Fabio Parizzi
Florina Leinß - Ersatzteillager
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Dédale - Laurent Chardon
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
C'est les vacances n°2 - coll. dir. Eugénie Zely
Keywording (Post) Contemporary Art - Greta Rusttt
La prise - Florian Javet
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Échec et scotome - Jean Otth
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Objets Minces - Collectif
Un cahier - Michel Quarez
Eros negro n°3 - Démoniak
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Seoul Flowers & Trees - tribute to Lee Friedlander 











































