People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Grilles - Zelda Mauger
Entretiens – Jérôme Dupeyrat
Pectus Excavatum - Quentin Yvelin
Aurore Colbert - Marie Mons
Sans titre - Chris Kiss
Le vieux père - Laurent Kropf
Holy etc. - Fabienne Radi
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Revue Brut #2 - OR BOR
Bisou Magique - Coll.
Shanghai Cosmetic - Leslie Moquin
Brush Master - Jasper "Mississippi" Travis
Habitante 2 - Coll.
akaBB - tribute to Roni horn
Hand Smoothed - Coin Fos
Flynn zine # 1 - Flynn Maria Bergmann
Marcel Proust en cinq minutes — Jackson B. Smith
La construction - Perrine Le Querrec
Dark optics - David Claerbout
Cuadernos - Henry Deletra
An Inventory Of - Daniele Franzella
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Strates & Archipels - Pierre Merle
Tanière de lune - Maria-Mercé Marçal
Le corps travesti - Michel Journiac
Gruppen n°13 - Collectif
Retour d'y voir - n° 3 & 4 - Mamco
America - Ayline Olukman, Hélène Gaudy
Dernier royaume - Quentin Derouet
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Introduction à l'esthétique - Nakai Masakazu
L'atelier partagé avec Géraldine Trubert
The Shelf - Journal 3
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
L'inventaire des destructions - Éric Watier
Critique & création - L.L. de Mars 











































