People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Spécimen Typographique : No Ko - Loris Pernoux
Strates & Archipels - Pierre Merle
Sillo n°3 - Le Fauve
Fluent - Laëticia Donval
Bacon le Cannibale - Perrine Le Querrec
Cuadernos - Henry Deletra
Le chateau enchanté - Atelier Mclane
Crise de foie - Christine Demias
Gros Gris n°4 - Duel
Blaclywall by Sihab Baik - Claude Closky
Dédale - Laurent Chardon
Dear Paul - Paul Van der Eerden
Cyclone - Juliette Chalaye
Aristide n°4
Morph - Camilo García A.
Talweg 6 - La distance
Les soleils qui tournent ont des oreilles - coll.
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Bambi # 4 - Collectif
La traversée - Magali Brueder
Sans titre - Chris Kiss
Grilles - Zelda Mauger
Zoom Age - Julien Auregan
Hérésie Étiologique - coll.
ICCMHW - Atelier Choque Le Goff
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
It was a good day - Jeremy Le Corvaisier
Wayfaring - Patrick Messina, André S. Labarthe
Temps d'arrêt - Etienne Buyse
Il était deux fois - Gary Colin
Photographic Fields - Joël Van Audenhaege
Une goutte d'homme - Alice Dourlen
Lili, la rozell et le marimba / revue n°2
Slanted 24 - Istanbul
Tomber dans l'escalier - Jasper Sebastian Stürup
Délié - Baptiste Oberson
Vacuité 9090 - Jérémy Piningre
Titanic Orchestra - Julien Mauve 











































