People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

movement in squares - Stefanie Leinhos
Parataxes + CD - Michael Gendreau
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Alma Mater n°1
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Dark optics - David Claerbout
Rond-point au mammouth - Sur une idée de Veit Stratmann
Le chateau enchanté - Atelier Mclane
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
America - Ayline Olukman, Hélène Gaudy
Fluent - Laëticia Donval
Après la révolution – numéro 1
Optical Sound 3
akaBB - tribute to Roni horn
Imagos - Noémie Lothe
À partir de n°1 - Coll.
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Good Company - Paul Van der Eerden
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Piano - Joseph Charroy
Titanic Orchestra - Julien Mauve
本の本の本 - antoine lefebvre editions,
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Dessins pour Rugir - Virginie Rochetti
9 octobre 1977 - Roberto Varlez
Sans titre - Benjamin Hartmann
Poèmes - Yvonne Rainer
Seoul Flowers & Trees - tribute to Lee Friedlander
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
In The Navy - Julien Kedryna
Ellipse - Ismail Alaoui-Fdili
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
De lave et de fer - Laurent Feynerou
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Un essai sur la typographie - Eric Gill
Un peu comme voir dans la nuit - Leif Elggren + CD
Holy Mountain - Maia Matches, Knuckles & Notch
Marcel Proust en cinq minutes — Jackson B. Smith
Editer l’art – Leszek Brogowski
Shanghai Cosmetic - Leslie Moquin
De tels baisers - Jul Gordon
Blaclywall by Sihab Baik - Claude Closky
Der Erste Rotkehlchen - Le livre
La traversée - Magali Brueder 











































