People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Entretiens – Jérôme Dupeyrat
Der Erste Rotkehlchen - Le livre
Bande Annonce - Cinéma & Bande Dessinée - Coll.
À partir de n°1 - Coll.
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Wayfaring - Patrick Messina, André S. Labarthe
Habitante 2 - Coll.
Sans-Titre - Laurens Van'T Riet
MENU メニュー - Wataru Tominaga
SKKS - Gilles Pourtier
De lave et de fer - Laurent Feynerou
Le Gabion - Théo Robine-Langlois
Titanic Orchestra - Julien Mauve
Le Monde en situation - Vanessa Theodoropoulou
L'inventaire des destructions - Éric Watier
Eros negro n°4 - Démoniak
Pectus Excavatum - Quentin Yvelin
Critique & création - L.L. de Mars
La mémoire en acte - Quarente ans de création musicale
12345678 - Maya Strobbe
Holy Mountain - Maia Matches, Knuckles & Notch
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Comic Book (Untitled) - Stéphanie Leinhos
Zoom Age - Julien Auregan
Promenade au pays de l'écriture - Armando Petrucci
Rasclose - Geoffroy Mathieu
Illusive prosody - Alex Beaurain
Piano - Joseph Charroy
Hmm ! - C. de Trogoff
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Un cahier - Michel Quarez
La prise - Florian Javet
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Theatre - Dan Graham
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
interférence - 3 - maycec
Bodies in Scattered Light - Andriu Deplazes
Le corps travesti - Michel Journiac
Bambi # 4 - Collectif
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Le blanc nez - Fouss Daniel 











































