People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Idoine & Pierre Courtin
Regards croisés — Gekreutze Blicke - Yeloyolo
Brush Master - Jasper "Mississippi" Travis
Cyclone - Juliette Chalaye
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Avec ce qu'il resterait à dire - Anne Maurel
Deep state - Mathieu Desjardins
Hmm ! - C. de Trogoff
SKKS - Gilles Pourtier
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Assembly - Sam Porritt
Salt Crystal - Fabio Parizzi
Seoul Flowers & Trees - tribute to Lee Friedlander
Entretiens – Jérôme Dupeyrat
Wayfaring - Patrick Messina, André S. Labarthe
Copy This Book - Eric Schrijver
Gros Gris n°4 - Duel
Le chateau enchanté - Atelier Mclane
Berlin Design Digest
Vacuité 9090 - Jérémy Piningre
Talweg 6 - La distance
Holy Mountain - Maia Matches, Knuckles & Notch
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Le dos des choses - Guillaume Goutal
Il est si difficile de trouver le commencement - Helen Thorington
Saveurs imprévues et secrètes - Gilbert Lascault
Aurore Colbert - Marie Mons
☀ - Manon Demarles
interférence - 3 - maycec
twen [1959–1971]
Tanière de lune - Maria-Mercé Marçal
Revue La Ronde n°14
Lumières - Guillaume Chauchat
Hérésie Étiologique - coll.
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Roven n°4
Gruppen n°14 - Collectif
Good Company - Paul Van der Eerden
Tomber dans l'escalier - Jasper Sebastian Stürup
Le singe et le bijoux - Roxane Lumeret
ICCMHW - Atelier Choque Le Goff
Wobby #30 - Overgrown
L'internationale modique (AND 3) - J-M. Bertoyas
L'inventaire des destructions - Éric Watier
Eros Negro # 1 - Demoniak
Illusive prosody - Alex Beaurain
Artzines # 10 - Show & Tell #2 NY Special
Retour d'y voir - n° 3 & 4 - Mamco
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Bacon le Cannibale - Perrine Le Querrec
Dear Paul - Paul Van der Eerden
La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Eros negro n°4 - Démoniak
Temps d'arrêt - Etienne Buyse
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Dernier royaume - Quentin Derouet 











































