People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Seoul Flowers & Trees - tribute to Lee Friedlander
Le singe et le bijoux - Roxane Lumeret
SKKS - Gilles Pourtier
Le blanc nez - Fouss Daniel
America - Ayline Olukman, Hélène Gaudy
Aristide n°4
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Prototype 02 - morcellement
Gros Gris n°4 - Duel
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Regards croisés — Gekreutze Blicke - Yeloyolo
D’l’or - Rosanna Puyol Boralevi
Mökki n°4
Il était deux fois - Gary Colin
Publication Revue N°1
Fluent - Laëticia Donval
Optical Sound 3
Holy etc. - Fabienne Radi
It was a good day - Jeremy Le Corvaisier
The Shelf - Journal 3
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Migrant Mother, Migrant Gender - Sally Stein
Sillo n°3 - Le Fauve
Bambi # 4 - Collectif
Ilya Ehrenbourg - Et pourtant elle tourne
Der Erste Rotkehlchen - Le livre
akaBB - tribute to Roni horn
Illusive prosody - Alex Beaurain
La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Objets Minces - Collectif
Dear Paul - Paul Van der Eerden
Un essai sur la typographie - Eric Gill
Imagos - Noémie Lothe
Editer l’art – Leszek Brogowski
Bande Annonce - Cinéma & Bande Dessinée - Coll.
La mémoire en acte - Quarente ans de création musicale
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Optical Sound 2
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Burning Images, A History of Effigy Protests - Florian Göttke
Tchat - Gary Colin
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
De lave et de fer - Laurent Feynerou
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Promenade au pays de l'écriture - Armando Petrucci
Flynn zine # 1 - Flynn Maria Bergmann
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon 











































