People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Strates & Archipels - Pierre Merle
Jean-Jacques a dit - Angèle Douche
Pectus Excavatum - Quentin Yvelin
Vases Communicants - Hélène Drénou
Comic Book (Untitled) - Stéphanie Leinhos
Shanghai Cosmetic - Leslie Moquin
Wayfaring - Patrick Messina, André S. Labarthe
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Gruppen n°13 - Collectif
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Roven n°5
Flower finds - Orianne Jeanselme
Le corps travesti - Michel Journiac
Ventoline 5 - Coll.
America - Ayline Olukman, Hélène Gaudy
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Le museau de mes amies m’amuse - Jehane Mahmoud
Piano - Joseph Charroy
Carnivore - Grow
Burning Images, A History of Effigy Protests - Florian Göttke
Le dos des choses - Guillaume Goutal
La grande surface de réparation - Gilles Pourtier
Zoom Age - Julien Auregan
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Le blanc nez - Fouss Daniel
Poèmes - Yvonne Rainer
Rois de la forêt - Alain Garlan
Le déclin du professeur de tennis - Fabienne Radi
Bacon le Cannibale - Perrine Le Querrec
The Shelf - Journal 3
Holy Mountain - Maia Matches, Knuckles & Notch
Der Erste Rotkehlchen - Le livre
À partir de n°1 - Coll.
Inframince et hyperlié - Philippe Lipcare
Deep state - Mathieu Desjardins
Dédale - Laurent Chardon
Bruits - Emmanuel Madec
Email Diamant - Fabienne Radi
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Roven n°4
Modern Instances, The Craft of Photography - Stephen Shore
Machiavel chez les babouins - Tim Ingold
Blaclywall by Sihab Baik - Claude Closky
Eros negro n°3 - Démoniak
Le Gabion - Théo Robine-Langlois
IRL - In real life n°1 - Coll.
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Berlin Design Digest
MENU メニュー - Wataru Tominaga
Fluent - Laëticia Donval
SKKS - Gilles Pourtier 











































