Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

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Papier magazine n°06 - Coupe du monde
Piano - Joseph Charroy
Génération dakou - Yann Jun + CD
Pectus Excavatum - Quentin Yvelin
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Femme, Arabe et... Cinéaste - Heiny Srour
Le corps travesti - Michel Journiac
Blaclywall by Sihab Baik - Claude Closky
MegaOctet Verbateam
Gruppen n°14 - Collectif
La traversée - Magali Brueder
Shanghai Cosmetic - Leslie Moquin
Critique d'art n°56
La tour Tatline - Georgi Stanishev
Une goutte d'homme - Alice Dourlen
L'inventaire des destructions - Éric Watier
Sans titre - Chris Kiss
akaBB - tribute to Roni horn
Rois de la forêt - Alain Garlan
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Wayfaring - Patrick Messina, André S. Labarthe
Fluent - Laëticia Donval
Editer l’art – Leszek Brogowski
Délié - Baptiste Oberson
Critique & création - L.L. de Mars
Sex Work is Work - Inmensidades
Catalogue Art Guys - That's painting productions, Bernard Brunon
Incipit - Aymeric Vergnon
La mémoire en acte - Quarente ans de création musicale
Vive la retraite - Pauline Rheims
(page 1 et 17) - Lorraine Druon
Der Erste Rotkehlchen - Le livre 





















