In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Mökki n°4
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Retour d'y voir - n° 3 & 4 - Mamco
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Entretiens – Jérôme Dupeyrat
Anderlecht — Molenbeek - Pierre Blondel
Tomber dans l'escalier - Jasper Sebastian Stürup
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
La prise - Florian Javet
The Book Fight - Chihoi
Asphalte Parade - Alice Meteignier
Shanghai Cosmetic - Leslie Moquin
Copy This Book - Eric Schrijver
akaBB - tribute to Roni horn
Three Dice - Aymeric Vergnon
Imagos - Noémie Lothe 

























