In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Gros Gris n°4 - Duel
La construction - Perrine Le Querrec
Le blanc nez - Fouss Daniel
In The Navy - Julien Kedryna
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Temps d'arrêt - Etienne Buyse
Mökki n°2
the Ghost of Weaving - Coll.
La prise - Florian Javet
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le chateau enchanté - Atelier Mclane
Atopoz - Collectif
Le Parfum du Silence - Bonnie Colin
Eldorado maximum - Les commissaires anonymes
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Watch out - Anne-Émilie-Philippe
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Lili, la rozell et le marimba / revue n°2
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Wayfaring - Patrick Messina, André S. Labarthe 

























