In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Deep state - Mathieu Desjardins
Aurore Colbert - Marie Mons
Le dos des choses - Guillaume Goutal
L'inventaire des destructions - Éric Watier
Mökki n°2
Saint Julien l'hospitalier Tome 2 - Claire Pedot
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Sights - Henry McCausland
Sans titre - Benjamin Hartmann
Illusive prosody - Alex Beaurain
Fluent - Laëticia Donval
Assembly - Sam Porritt
L'internationale modique (AND 3) - J-M. Bertoyas
The Shelf - Journal 3
Le corps travesti - Michel Journiac
Denver Mosaic 1961 - René Heyvaert
Marcel Proust en cinq minutes — Jackson B. Smith
Catalogue Art Guys - That's painting productions, Bernard Brunon
Je ne peux pas ne pas - Geneviève Romang
La France de tête - Lot de 4 numéros
movement in squares - Stefanie Leinhos
Shanghai Cosmetic - Leslie Moquin 

























