In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Après la révolution – numéro 1
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Piano - Joseph Charroy
Les dessins de Julien - Julien Marmar
Gros Gris n°4 - Duel
La traversée - Magali Brueder
Strannberg – The Chauvinist Manifesto - Samuel Nyholm / Sany
Femme, Arabe et... Cinéaste - Heiny Srour
Habitante 2 - Coll.
Dear Paul - Paul Van der Eerden
Délié - Baptiste Oberson
Photographic Fields - Joël Van Audenhaege 

























