In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Jardín de mi padre - Luis Carlos Tovar
Prose postérieure - Les commissaires anonymes
Denver Mosaic 1961 - René Heyvaert
À partir de n°1 - Coll.
Costumes - Anne Jourdain
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Strates & Archipels - Pierre Merle
Dessins pour Rugir - Virginie Rochetti
Retour d'y voir - n° 3 & 4 - Mamco
Folding Space Ship - ottoGraphic
Typologie – La tente de camping
Alma Mater n°1
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Sans titre - Chris Kiss
Zoom Age - Julien Auregan
Sans-Titre - Laurens Van'T Riet
Dédale - Laurent Chardon 

























