Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


La traversée - Magali Brueder
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Hello tomato - Marion Caron & Camille Trimardeau
10 MINUTES Architects and Designers in Conversation
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Mercometal
Saveurs imprévues et secrètes - Gilbert Lascault
interférence - 2 - maycec
Schindler Manifesto
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Alma Mater n°1
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Le chateau enchanté - Atelier Mclane
Papier magazine n°06 - Coupe du monde
Tomber dans l'escalier - Jasper Sebastian Stürup
Savoir Revivre - Jacques Massacrier
Aristide n°4
Sillo n°3 - Le Fauve
Good Company - Paul Van der Eerden
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Inframince et hyperlié - Philippe Lipcare
Burning Images, A History of Effigy Protests - Florian Göttke
Je ne peux pas ne pas - Geneviève Romang
La prise - Florian Javet
Saint Julien l'hospitalier Tome 2 - Claire Pedot
It was a good day - Jeremy Le Corvaisier
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon 









