Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Le Dépli - Loïc Largier
La prise - Florian Javet
La Vie moderne - Augustin Rebetez
Turbo Decompress - Coll.
fil·le·s de polypropylène bleu - coll.
Piotr - Pierre Escot, Denis Lavant
Tomber dans l'escalier - Jasper Sebastian Stürup
Cuadernos - Henry Deletra
Mökki n°2
Mökki n°4
本の本の本 - antoine lefebvre editions,
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Eldorado maximum - Les commissaires anonymes
Critique d'art n°56
Blanche Endive - Grégoire Motte & Gabriel Mattei
De tels baisers - Jul Gordon
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Schindler Manifesto
An Inventory Of - Daniele Franzella
Parataxes + CD - Michael Gendreau
Optical Sound 3
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Critique d'art n°54
Cyclone - Juliette Chalaye
Fluent - Laëticia Donval 









