Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Holy Mountain - Païen
☀ - Manon Demarles
Gros Gris n°4 - Duel
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Femme, Arabe et... Cinéaste - Heiny Srour
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Klima Pages #2 — Somptueuses Résidences
La traversée - Magali Brueder
Le laboratoire de fermentation - Ludovic Burel
Grilles - Zelda Mauger
Seoul Flowers & Trees - tribute to Lee Friedlander
Village - Julie Safirstein
Matriochka - Fanette Mellier (3ème ed.)
Aristide n°4
Inventer l'école, penser la co-création - Marie Preston
Ludmilla Cerveny - Work
In The Navy - Julien Kedryna
Holy Mountain - Maia Matches, Knuckles & Notch
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Critique d'art n°56
Before Science - Gilles Pourtier, Anne-Claire Broc'h 









