Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Temps d'arrêt - Etienne Buyse
Critique & création - L.L. de Mars
interférence - 2 - maycec
Optical Sound 2
Hmm ! - C. de Trogoff
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
L'arum tacheté de J-M. Bertoyas
Il est si difficile de trouver le commencement - Helen Thorington
Pectus Excavatum - Quentin Yvelin
Un essai sur la typographie - Eric Gill
Aurore Colbert - Marie Mons
La traversée - Magali Brueder
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Imagos - Noémie Lothe
Parataxes + CD - Michael Gendreau
Ilya Ehrenbourg - Et pourtant elle tourne
Le dos des choses - Guillaume Goutal
Le Choix du peuple - Nicolas Savary, Tilo Steireif 






















