Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

La prise - Florian Javet
10 MINUTES Architects and Designers in Conversation
Délié - Baptiste Oberson
Berlin Design Digest
Hybrid heads - Daniela Dossi
Autodrône - Divine Vizion
Aristide n°4
il y avait une ville - Laeticia L'Heureux
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Optical Sound 2
People Painting - Fabienne Radi
La typographie des Penguin Classics - Andrew Barker
An Inventory Of - Daniele Franzella
Carnivore - Grow
Collective Design : Alison & Peter Smithson
16 x 421 - Lorraine Druon
Karbone Magazine n°8 - Parasite
Un cahier - Michel Quarez
America - Ayline Olukman, Hélène Gaudy
UPO 1 - Earth Art - Rejane Dal Bello
Critique d'art n°55
LSD n° 04 – A manga issue
Klima Pages #2 — Somptueuses Résidences
akaBB - tribute to Roni horn
Harry Thaler's Pressed Chair
Le blanc nez - Fouss Daniel 






















