Liz named her daughter Lisa Marie, just like Elvis Presley’s daughter. French photographer Clémentine Schneidermann met Liz in Newport, Wales, a few miles away from the world’s largest festival to “the king”. Each year Liz joins tens of thousands of fans at the seaside resort of Porthcawl to celebrate the life and music of their icon, Elvis Presley.
From 2013 to 2017, Schneidermann joined too, creating portraits of fans Alison and her son, Steve, Samantha and Ian – among many others, for her series I Called her Lisa Marie. Schneidermann spent a lot of time with these people, using her camera to capture the poignancy of this flamboyant gathering where the life and music of the king offers a moment of solace.
Schneidermann is based in Cardiff, and travelled with the Alison and her son from Wales to where it all began in Memphis. She met the pair at the festival, where Alison’s son was performing under the stage name Johnny B. Goode. Schneidermann documented their pilgrimage across the Atlantic, creating Johnny B. Goode, a visual travel diary that is presented with I Called her Lisa Marie here in her first monograph.
80 pages + 16-page leaflet

Sillo n°3 - Le Fauve
Paysageur n°3 - Mobiles
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Atopoz - Collectif
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Les Grands Ensembles - Léo Guy-Denarcy
Illusive prosody - Alex Beaurain
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
MegaOctet Verbateam
Black Case Volume I and II: Return From Exile - Joseph Jarman
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Fluent - Laëticia Donval
movement in squares - Stefanie Leinhos
La mémoire en acte - Quarente ans de création musicale
Image Canoë - Jérémie Gindre
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Watch out - Anne-Émilie-Philippe
Il est si difficile de trouver le commencement - Helen Thorington
Burning Images, A History of Effigy Protests - Florian Göttke
Rois de la forêt - Alain Garlan
Bambi # 4 - Collectif
Deep state - Mathieu Desjardins
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Prototype 02 - morcellement
Sans-Titre - Laurens Van'T Riet
SKKS - Gilles Pourtier
Musée des Beaux-Arts - Pierre Martel
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Femme, Arabe et... Cinéaste - Heiny Srour
Der Erste Rotkehlchen - Le livre
Étrangement seuls - Jean-Pascal Princiaux
Zoom Age - Julien Auregan
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Le chateau enchanté - Atelier Mclane
Graphzine Visages
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Le Gabion - Théo Robine-Langlois
Le dos des choses - Guillaume Goutal
Artzines # 10 - Show & Tell #2 NY Special
La construction - Perrine Le Querrec
Wayfaring - Patrick Messina, André S. Labarthe
Sans titre - Chris Kiss
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Photographic Fields - Joël Van Audenhaege
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Le blanc nez - Fouss Daniel
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Radio-Art - Tetsuo Kogawa
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Pilote - Mathilde Sauzay
Darkest Night - Joel Van Audenhaege 





























