Pages: 8 page booklet with printed envelope, 66 loose printed inserts and 2 stickers
Dimensions: 10.5” x 7.5”
Cover: softcover
Binding: staplebound booklet and loose inserts with envelope
Process: Risograph, offset, digital
Color: 5 color RISO, black digital, color offset
Edition Size: 275
ISBN: none

The latest publication from the Hardcore Architecture project by Public Collectors focuses on paper advertising ephemera from undergound zines and bands of the 1980s to the early 1990s. From the essay booklet:
Little slips of printed paper, crammed with details about new demo tapes, records, zines, distribution and mail order services or other offerings, found their way into countless letters throughout the 1980s and 1990s. It was common for an envelope to explode with these bits of this and that—all modest attempts to spread the word, drum up some orders or correspondence, and reach new audiences. Zines used them to solicit demo tapes for review and new writing to publish. Bands used them to sell their tapes and records. Given the vast number of people that were engaged in pen pal relationships and tape and zine trading, many thousands of these slips of paper moved back and forth all over the world.
In addition to a short booklet that includes quotes from some zine-makers, band members and record labels about this practice, the main feature here is the recreation of 66 facsimiles of these little ads: scanned from my own archives or the collections of others and all reprinted and cut by hand in the loving but extremely labor-intensive mode of bedroom publishers of yore. Essentially, this edition is a portable exhibit of designed and printed paper bits that many people made and used, but far fewer people thought to save.
About Hardcore Architecture:
Hardcore Architecture explores the relationship between the architecture of living spaces and the history of underground hardcore bands in the 1980s. This publication, which focuses on the domestic homespun production aspects of underground music and publishing culture, is a supplement to the website: www.hardcorearchitecture.tumblr.com. It is one of a series of printed publications addressing the themes of the project through writings, interviews, photos, and printed ephemera. Hardcore Architecture is a project of Marc Fischer and Public Collectors.

Sans titre - Chris Kiss
interférence - 2 - maycec
Entretiens – Jérôme Dupeyrat
Before Science - Gilles Pourtier, Anne-Claire Broc'h
L'inventaire des destructions - Éric Watier
Salt Crystal - Fabio Parizzi
Le blanc nez - Fouss Daniel
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Seoul Flowers & Trees - tribute to Lee Friedlander
Le corps travesti - Michel Journiac
Le Choix du peuple - Nicolas Savary, Tilo Steireif
ADBC du Dessin - Jacques Floret
Hérésie Étiologique - coll.
Temps d'arrêt - Etienne Buyse
Aurore Colbert - Marie Mons
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
fig. #6 - antithèse
Je ne peux pas ne pas - Geneviève Romang
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
LSD n° 04 – A manga issue
Pénurie - Zivo, Jérôme Meizoz
Dédale - Laurent Chardon
Ventoline 6 - Coll
9 octobre 1977 - Roberto Varlez
America - Ayline Olukman, Hélène Gaudy
Editer l’art – Leszek Brogowski
Roven n°4
Assembly - Sam Porritt
Dessins pour Rugir - Virginie Rochetti
Der Erste Rotkehlchen - Le livre
Cuadernos - Henry Deletra
Délices d’Orient - Sarah Vadé
Jean-Jacques a dit - Angèle Douche
Eros negro n°4 - Démoniak
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Délié - Baptiste Oberson
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Lucky Me - Eva Rotreklová & Jules Janssen
Aristide n°4
Le déclin du professeur de tennis - Fabienne Radi
akaBB - tribute to Roni horn
Gruppen n°13 - Collectif
Ellipse - Ismail Alaoui-Fdili 











