« All rather old, crumbling ceiling, grubby paint, it’s fatigue wear, reasons for no reason provided on the eve of deterioration – sluggish architecture – back covers strewn on the floor, this is literature, awaiting moments that came. »
This excerpt from an unpublished piece by Félix The Saiz, reflects in a way the spirit of this series. Fatigue wear, reasons for no reason, back covers, literature awaiting moments that (already) came: it’s all there, on these flyers, their images gleaned by the photographer, over eight years.

The use of the word literature is not overdone: with these lost cats, whose auras we get a glimpse of more than their figures, whose eyes -sometimes only one of them- we sense more than their expressions, each image of a seemingly crumbling piece of wall, tells a story. To contemplate them is to lose oneself into non-human anymore territory, or so little yet, a territory on the margins, travelled by stealth creatures familiar with survival, such as those that haunt certain movies from the seventies, movies of resilience and nostalgia.
A paradox. Cats, so individualistic, cats we pretend to love for their independent nature, are suddenly so much missed. Once gone missing, they cease to represent triumphant freedom, going about carefree from one block to another, from courtyards to gardens, each time a secret expedition. Rather, once they are painstakingly put on the record, recounted in a few ingenuous lines, on a more or less average photo, they embody the anguish of love lost, the quest for an unlikely reunion and forever unanswered questions.
For cats have reasons for no reason, this is where their essence lies. Cats wander, and every human should know when they foster them, that each week, each year won over disappearance or death is a victory of their forever wild side. As we take them home, it’s only for a while, as we love them, it’s only for ourselves. Alive, inseparable from the wonder of present moment, they are the mirrors of our times of lonesomeness and joy. When gone missing, they turn into as many pious mementos, ex-votos in the shape of small posters worn away by the passage of the seasons, frothed by humidity, little spectres, spiritistic visuals.
The posters are weathered and scarred, in the image of the life of the photographer who set his eyes on them, to thoughtfully craft prints that will retain the spirit of these phantasmal homecomings.
300 pages
Offset print / 13 x 18 cm
Same book but 3 different dust jackets (A, B, C)

Aurore Colbert - Marie Mons
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Salt Crystal - Fabio Parizzi
Gros Gris n°4 - Duel
interférence - 3 - maycec
Deep state - Mathieu Desjardins
Les Grands Ensembles - Léo Guy-Denarcy
The Shelf - Journal 3
Sights - Henry McCausland
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Je ne peux pas ne pas - Geneviève Romang
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
De lave et de fer - Laurent Feynerou
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Sans titre - Benjamin Hartmann
Sillo n°3 - Le Fauve
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Triptyque - Ronan Bouroullec
Strates - Else Bedoux
Asphalte Parade - Alice Meteignier
ARTZINES #1, Paris issue
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
People in a faraday cage - Stéphanie Gygax
Artzines #12 Provo Special
Strates & Archipels - Pierre Merle
Le dos des choses - Guillaume Goutal 



























