« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Sillo n°3 - Le Fauve
Délié - Baptiste Oberson
Optical Sound 2
SKKS - Gilles Pourtier
Six Months - Nathalie Ghanem-Latour
It was a good day - Jeremy Le Corvaisier
Denver Mosaic 1961 - René Heyvaert
Les Grands Ensembles - Léo Guy-Denarcy
Promenade au pays de l'écriture - Armando Petrucci
Lili, la rozell et le marimba / revue n°2
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Tomber dans l'escalier - Jasper Sebastian Stürup
La prise - Florian Javet
Le style anthropocène - Philippe Rahm
Retour d'y voir - n° 3 & 4 - Mamco
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Le dos des choses - Guillaume Goutal
Eldorado maximum - Les commissaires anonymes
AARC – Alter Architecture Research Collective n° 01
Aristide n°4
Slanted 30 - Athens
Ilya Ehrenbourg - Et pourtant elle tourne
interférence - 2 - maycec
MegaOctet Verbateam
Temps d'arrêt - Etienne Buyse
Je ne peux pas ne pas - Geneviève Romang
L'inventaire des destructions - Éric Watier
Sans titre - Benjamin Hartmann
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi 













