« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

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Saint Julien l'hospitalier Tome 1 - Claire Pedot
Aurore Colbert - Marie Mons
Sillo n°3 - Le Fauve
interférence - 2 - maycec
Le dos des choses - Guillaume Goutal
Alma Mater n°1
Les glaciers - Lorraine Druon
Seoul Flowers & Trees - tribute to Lee Friedlander
Jean-Jacques a dit - Angèle Douche
Optical Sound 3
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Soundtrack/s - Rosaire Appel
JJ – Tartine-moi et autres textes - Jill Johnston
Revue Les Saisons n°3
Pectus Excavatum - Quentin Yvelin
akaBB - tribute to Roni horn
Titanic Orchestra - Julien Mauve
Le Parfum du Silence - Bonnie Colin
Flower finds - Orianne Jeanselme
Watch out - Anne-Émilie-Philippe
Zoom Age - Julien Auregan
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Le chateau enchanté - Atelier Mclane
Illusive prosody - Alex Beaurain
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