« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Deep state - Mathieu Desjardins
Critique d'art n°54
Paysageur n°3 - Mobiles
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
MENU メニュー - Wataru Tominaga
Watch out - Anne-Émilie-Philippe
Critique d'art n°55
Aurore Colbert - Marie Mons
akaBB - tribute to Roni horn
(page 1 et 17) - Lorraine Druon
Sans titre - Benjamin Hartmann
Roven n°5
Le blanc nez - Fouss Daniel
Je ne peux pas ne pas - Geneviève Romang
Lili, la rozell et le marimba / revue n°2
Christina Forrer - Don’t Swallow Your Tongue
It was a good day - Jeremy Le Corvaisier
Le chateau enchanté - Atelier Mclane
La traversée - Magali Brueder
Il est si difficile de trouver le commencement - Helen Thorington
Soundtrack/s - Rosaire Appel
Zoom Age - Julien Auregan
La mémoire en acte - Quarente ans de création musicale 













