“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

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Strates & Archipels - Pierre Merle
Gros Gris n°4 - Duel
9 octobre 1977 - Roberto Varlez
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Il est si difficile de trouver le commencement - Helen Thorington
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Le Parfum du Silence - Bonnie Colin
Strates - Else Bedoux
Wayfaring - Patrick Messina, André S. Labarthe
Theatre - Dan Graham
Slow Down Abstractions - Adrien Vescovi
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
movement in squares - Stefanie Leinhos
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Farandole - Jérémie Fischer
Zoom Age - Julien Auregan
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Les Grands Ensembles - Léo Guy-Denarcy
Clubhouse #14 - Colorama Books
Sillo n°3 - Le Fauve
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
š! #39 'The End' - coll.
À partir de n°3 - Collectif
Désolation - Verity Spott
Tools #04 – Couper / To Cut
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Mökki n°4
Le dernier homme - Johann Rivat
Halogènure # 09
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Dear Paul - Paul Van der Eerden
Savoir Revivre - Jacques Massacrier
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Vases Communicants - Hélène Drénou
Imagos - Noémie Lothe 































