“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Papier magazine n°06 - Coupe du monde
La prise - Florian Javet
A l'origine - Anne-Émilie-Philippe
Deep state - Mathieu Desjardins
Retour d'y voir - n° 1 & 2 - Mamco
Le chateau enchanté - Atelier Mclane
Je ne peux pas ne pas - Geneviève Romang
Les voiles de Sainte-Marthe - Christian Rosset
Saint Julien l'hospitalier Tome 2 - Claire Pedot
La Fête - Damien Tran
Slanted 30 - Athens
Gros Gris n°4 - Duel
☀ - Manon Demarles
Feminae Explorarum - Ingrīda Pičukān
Brantford & Keene #2 - Collectif
écrissa bolossa - Lætitia Paviani
Optical Sound 2
SNAKKEBOB … Kan jeg få et ord med deg? Tim Ng Tvedt
Le dos des choses - Guillaume Goutal
Pectus Excavatum - Quentin Yvelin
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Retour d'y voir - n° 3 & 4 - Mamco
Sans titre - Benjamin Hartmann
Piano - Joseph Charroy
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Strates & Archipels - Pierre Merle
Tote Bag - Lucas Burtin x Librairie Lame
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Fluent - Laëticia Donval
Aurore Colbert - Marie Mons
People in a faraday cage - Stéphanie Gygax
本の本の本 - antoine lefebvre editions,
Copy This Book - Eric Schrijver
Shanghai Cosmetic - Leslie Moquin
Photographic Fields - Joël Van Audenhaege
La traversée - Magali Brueder
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Critique d'art n°54
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Imagos - Noémie Lothe
Illusive prosody - Alex Beaurain
Le blanc nez - Fouss Daniel
Seoul Flowers & Trees - tribute to Lee Friedlander
Temps d'arrêt - Etienne Buyse
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Wayfaring - Patrick Messina, André S. Labarthe
Critique & création - L.L. de Mars
Dans la Lune - Fanette Mellier
Rocher du Ciel - Martin Desinde
Teddy et le Grand Terrible - Orian Mariat.
The Book Fight - Chihoi
The Shelf - Journal 3
movement in squares - Stefanie Leinhos
Eros Negro # 1 - Demoniak
Saveurs imprévues et secrètes - Gilbert Lascault
Slanted 24 - Istanbul
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon 































